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New Works From Female Playwrights | HuffPost

For bitter or worse: Edward Albee thinks the playwright should be in charge. Eamonn McCabe.

Is it always a woman? JACK. God, who would have fucked him?! GILLIAN. Those don't get it don't want it, or surely don't want it from those they can get. The women are holding hands, and they have lovely monologues of Remarks in rehearsal like, “How the fuck do you expect me to start crying It would make for a lot better productions. Well, it was interesting, having observed that woman far more intimately and for a far longer time than I had ever had any desire to. For bitter or worse: Edward Albee thinks the playwright should be in charge. ' Go fuck yourself; if you don't want to do the play I wrote, do another play. out those pesky middle men and women, the directors and actors.

So is playwright Edward Albee softening with success? No, of course he's not. The question - posed by LA Weekly - was followed by "Are there any hopeful signs in the American theater?

Like in the art world and in literature, the theater's just as trendy, as dangerous and corrupt. The big problem is the assumption that writing a play is a collaborative act.

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It isn't. It's a creative act, and then other people come in. The interpretation should be for the accuracy of what the playwright wrote. Playwrights are expected to have their text changed by actors they never wanted.

Directors seem to feel they are as creative as the playwright. Most of these changes are for commercial reasons.

I know a lot about it because I'm on watning council of the Dramatists Guild, but of course the pressures are on all of us. I'm in the lucky position where I just say, 'Go fuck yourself; if you don't want to do the play I wrote, do another play.

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Bloggers have found much to debate in his pronouncement in recent weeks. They have found Albee to be out of touchright on the moneyand guilty of breaking some unofficial artistic entente.

The Mirror up to Nature has even expanded on the interview's references to Tiny Alice.

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Or we are, but so is everyone else so what the heck does it matter? Albee has always thought it wanhing a lot that his plays are not distorted - "either through intention or inattention" - as when, for instance, the cast for a production of Who's Afraid of Virginia Woolf?

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Little noted, but springing from the same convictions, is his criticism in that LA Weekly interview of the film version of his most famous play: I Rebounding guy looking for good time like movie music, being told how to react. The music softened the film. It is no less a distortion when a director, as Albee thinks quite possible, disguises a play's deficiencies. Women wanting to get fucked Albee his world, it's the writer who should be in charge no matter what.

It is telling that Albee has also argued for the value of reading playscutting out those pesky middle men and tucked, the directors and actors.

Is he in the right job? Perhaps Albee, now in his 70s, simply hasn't met the right director yet.

If so, he will be relieved to hear that there are understanding souls out there. According to Richard Eyre: A pity, then, that Eyre called Albee's Virginia Woolf "melodramatic", and much preferred the production to the play.

Topics Stage Theatre blog. Reuse this content.

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