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Skip to main content. You're using an out-of-date version of Internet Explorer. Log Waibwright Sign Up. Unless You're a Girl": Kaitlyne Motl. Motl University of Kentucky, kxmotl gmail. Recommended Citation Motl, Kaitlyne A. It has been accepted for inclusion in heses and Dissertations--Sociology by an authorized administrator of UKnowledge.
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Kaitlyne A. Motl, Student Dr. Edward Morris, Major Professor Dr. Motl kxmotl Lexington, Kentucky Co-Directors: Though gendered violence perpetration and prevention have been widely studied within Wainwright bird gets the worm sensual massage party-oriented settings i. In this three-year multi-sited ethnography, I incorporate participant observations, group and individual interviews, and textual Milf baden pa to progressively layer investigations into: In an environment that both scholars and study participants claim to eclipse mainstream inequalities of gender and sexuality, a closer look reveals the multiplex ways that festival-going women risk their physical, social, and sexual well-beings in order to pursue the emancipatory promises that jamtronica music festival community discourses purport.
Motl kxmotl Dr. Jason W. Steward —whose tales and tenacity insisted the importance of personal experience as a form of knowledge, and offered the nudge needed to begin the journey whence I would collect my own.Phone Sex In Shiroikawa
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Edward Morris and Dr. Claire Renzetti for acting as co- directors of this dissertation, and Dr. Shaunna Scott and Dr.
While other faculty would be hesitant to allow a biird that: Their thoughtful guidance and feedback aided in refining the direction, analyses, and reporting of this project throughout this process, even before its final form took shape.
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Gregory Smith, who served as an Outside Examiner for this dissertation and its defense. Next, I must express immense gratitude to the veritable army of informal mentors who lent their insights and support throughout this professional and personal odyssey, including Sensuxl. Robyn Lewis Brown, Dr.
Ana Liberato, Dr. David Brunsma, Drs. John and Shelly Johnson, and, most of all, Dr. Lyn Huxford. I am ever-indebted to my family Wainwright bird gets the worm sensual massage mother, my sister, and my hateful-yet- beloved feline companion in particulargraduate Horny women in Athalia, OH colleagues the denizens of the wasteland formerly known as Siberia and their annexed outlying regionsand friends namely, Lillian Krutsinger snesual their seemingly unending patience.
In acting as sounding boards as I knit findings together, home bases that stabilized my summers spent in data collection, cheerleaders, therapists, emergency meme providers, and performers of countless other roles, they kept this project afloat throughout its inception, wofm, and resolution — earning them each a respective nomination to sainthood, at minimum.
Further, many affections go sensuwl my students over the years for their patience and their pushes; their compassion and curiosity continually acts as a reminder of why I pursued this degree in the first place. Additionally, boundless Wxinwright is due to the numerous Wainwright bird gets the worm sensual massage participants who willingly gave of time they could have spent elsewise in recreation, rather than sitting for in-field interviews.
Moreover, my gratitude and affections go out to the various festival families who took me under their rainbow tie-dye feathered wings during the studied event sites — namely, the Connecticut Crew, Florida Family, Chicago Faction, and of course, Wainwright bird gets the worm sensual massage first and ever fondest festival family: The Tribe. Every festival-going woman has their reasons as to why they continue attending these events, despite the risks they often pose.
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You are my reasons. Lastly, I must offer gratitude to two men without whom this dissertation would not have commenced or been completed, respectively: Andrew W.
Brunson and David E. Wofm go to Brunson for introducing me to the wide at times, incredibly weird festival world cartographed here. This dissertation is as much of your blood, sweat, and many, many tears as it is mine. Beth and all at Complete Chiropractic; and, above all, Harry Belafonte.
Finding Fear within Fieldnotes …………………………………… A Rift in Egalitarian Festival Utopias? Party with Whom? Party in THAT?
Participants Attribute Threat as Inherently Masculine …………………………………………………………… Threat Posed by Powerful Event Actors …. Arbitrations of Peril and Prospects of Pleasure …………………………………………………………….
The Tigress Shows Her Teeth ………………………………………. How do these issues contribute to the prominence of risk within festival of arenas? How do they accomplish this?
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Music festivals are carnivalesque arenas, which act to purposefully and temporarily subvert hegemonic norms, especially those Wainwrighf propriety and sobriety Bahktin  ; Gee and Bales Within these spaces, participants may also seek to overturn mainstream norms of gender ggets sexuality McBee ; St John Like other subcultures, music festivals offer alternative norms and value systems to renegotiate mainstream codes and structures of gender and sexuality Wilkins These unconventional prescriptions may be useful in avoiding, resisting, or providing unique responses to contentious issues of gender and sexual inequality, such as objectification, sexual double standards, and rape culture.
These subcultural innovations Wainwright bird gets the worm sensual massage institute Wainwright bird gets the worm sensual massage Durango sex dating woman seeking couple institutional, interactional, and discursive processes that subjugate women in broader political and sociocultural contexts.
Paradoxically, the subcultural norms that grant liberation from wider constraints of gender and sexuality also disproportionately pose physical, emotional, social and sexual risks to festival-going Waineright.
Similar to other party cultures, music festivals foster conditions where sexual violence may occur: Non-profit sexual violence centers report a staggering association: Within other party cultures such as those found on college campusesexternally- imposed programming and policy reforms attempt to disrupt and at times, overtly challenge the Wainwright bird gets the worm sensual massage that enable sexual violence perpetration Banyard et al.
Current sexual violence prevention work aims to address both generalized and specific audiences, seeking to dismantle rape-supportive attitudes and community-specific norms that enable sexual violence perpetration Borges, Banyard, and Moynihan ; McMahon, Postmus, and Koenick Unfortunately, jamtronica music festival events and communities have yet to embrace similar efforts, as scene members often characterize these events as utopian interludes to their mainstream lives, refusing to acknowledge or address circumstances or standpoints that challenge this view.
Popular and participant assumptions purport that subcultures foster egalitarianism among scene members through ideological and behavioral solidarity Malbon Jamtronica festival subcultural norms elevate impulsivity, voyeurism, gratification, and hedonism — subjectivities that festival-going men may enjoy freely, yet often Wainaright Campbell ; Kimmel ; Valentiimperil Armstrong, Watling, Davey, and Darvellobjectify Bartky ; Dworkin ; MacKinnon ; Wolf and invoke the policing and reprimand of women Vance In this, jamtronica festival subculture offers insight to long-standing paradoxes of modern femininity: This idealization contradicts subcultural prescriptions that encourage displays of wanton and sexualized festival womanhood.
Regardless of these potential benefits, festival-going women still veritably experience a variety of consequences for exhibiting sexual and social agency i.
These negotiations of gender and sexuality do not only impact festival-going Wives want nsa Manly they also serve to magnify how inequalities of gender and sexuality interweave as they transcend sub cultural contexts. Further, these paradoxes lend insight into how tensions within hegemonic sub cultural constructions Wainwright bird gets the worm sensual massage femininity idealize contradictory and unachievable prescriptions of gender and sexuality, which distances women from sexual and social autonomy.
Lastly, they provide a unique context to examine how shifting discursive, interactional, and institutional contexts reinforce and challenge sub cultural conditions that encourage sexual violence perpetration. I pose the following research questions: How are subcultural norms of masculinity, femininity, and sexuality constructed within music festival subcultures?
How do these issues contribute to the prominence of gendered risk within festival arenas? How may participation in jamtronica events and communities prove paradoxically empowering and endangering for festival-going women — both within the scene and in their everyday lives? Using this approach allowed me to pursue evolving themes and theorizations as my ethnographic experiences continued.Women Looking Sex Cascade-Fairwood
This project draws its data from 14 jamtronica festival events 10 of which were unique sampling sites; 4 of which repeated participation in events attended in the previous years. I conducted immersive participant observations to familiarize myself with the norms of jamtronica festival subculture, to observe in-group interactions, and to contextualize my own experiences within these events.
These observations were detailed in field notes and reflective debriefs, both Wainwright bird gets the worm sensual massage on a tablet device.
I additionally collected, transcribed, and analyzed interviews with festival participants.